Sunday, June 26, 2011
From her own experience, April Gornik observes that looking at artwork with a sense of how it is made enhances our ability to relate it to our own lives. In Vermeer’s View of Delft, for example: the clouds at the top and the gently curving shore open to the middle of the painting, like an eye opening, into the exterior world the painting reveals. Light in the distance draws us towards infinity and a sense of the immensity of space extending limitlessly out from us, but which Vermeer presents with great intimacy.
In the same way that a painting holds within itself the history, time, and the tale of its formation, a person looking at it is informed, enriched, and is subliminally able to experience all of that input. This physicality, the way an art object is ‘built’, speaks to us, and our response is an affirmation of our own sensory abilities, forming a connection and an interface of time and space, intent and emotion, even history.