Now the group is again among us, cheerfully exploiting its upcoming 40th anniversary with a Python-palooza of events on tap: a new play in Los Angeles based on its classic TV sketches, a six-part documentary on the IFC channel, a book describing its live performances and a rare coming together of the group's five living members for a Q&A session in New York.
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Monty Python's Flying Circus -- as it was called at the beginning -- first forged its reputation for comedic innovation from 1969 to 1974 in 45 programs on British television. These shows were unlike anything seen in the days of highly structured sitcom formats. Their BBC episodes were a series of nonsensical sketches stitched together by surreal, low-tech clip-art animation. Subject matter was a cascade of deceased parrots, upper-class twit-of-the-year competitions, fish-slapping dances and the occasional song extolling Spam. An innocuous yet calculated sensibility was at work, disguising sly jabs at social institutions and English behavioral traits.
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