Colette was a woman whose life arced across one of the most fascinating periods in French history, from the ebullient belle époque to the German Occupation and slightly beyond. For half a century, she scandalized Paris, lopping off her long schoolgirl braid and varnishing her toenails, gallivanting around town in an apparent ménage à trois with her husband and his girlfriend, cross-dressing for her lesbian lover, baring her breast onstage, divorcing, remarrying and seducing her teenage stepson.
Whenever she hit rock bottom, Colette remade herself, resulting in a resumé that reads like the Yellow Pages: journalist, critic, pornographer, music hall performer, lecturer, screenwriter, advice columnist, beautician (though her aging looks were no advertisement for her skills).
A naturally liberated woman, Colette despised feminists. She ate gluttonously and got fat; loved animals but monstrously ignored her only daughter; saved her third husband, who was Jewish, from World War II concentration camps while earning a living writing for the Nazi-controlled press.
Seemingly every insult you can throw at Colette sticks. In spite — or maybe because — of that, she earned plaques that mark her passage all over France.
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