He was the "King of Swing"

For decades, Benny Goodman and his clarinet popped up just about everywhere, and when they did, just about everyone knew it. Goodman, who would have turned 100 on May 30, defined for most people the swing era that dominated popular American music for much of the 1930s and 1940s. From Carnegie Hall and New York's exclusive clubs to his backing up Jack Teagarden in 1933 on "Texas Tea Party," he was as versatile and prolific as he was famous.

"Goodman had a style that can be identified before his name is announced," Ben Pollack, with whom Goodman first recorded in 1926, says in Nat Shapiro and Nat Hentoff's 1955 classic book "Hear Me Talkin' to Ya." Whether he was the greatest of his era is subjective, but he helped bring jazz out of smoky dives and into "respectable" (white) young America, to high school and college audiences and the American mainstream. Goodman, who died of a heart attack in 1986 at age 77, relished the title "King of Swing" given him by the new white audiences who were largely unaware that black musicians, such as Louis Armstrong, were playing swing as far back as 1925.