Though not built as a legit house for plays and musicals, the building has a fly loft for hanging scenery and feels to theater connoisseurs like a historic Broadway house, such as the St. James in New York.
Slightly reconfigured to meet disabled-access requirements, the Balboa now seats 1,300. A movable orchestra pit for 40 players makes the relatively shallow stage amenable to off-Broadway shows and smaller musicals.
Acoustical consultants McKay Conant Hoover deemed the reverberant acoustics excellent for instrumental and vocal music, but recommended dampening the resonance for amplified presentations. Acoustical banners, made of three layers of theatrical velour, can be electronically lowered over the sidewalls of the theater, Senior Project Manager Gary Bossé said.
A pierced screen above the orchestra pit hides the theater organ. Ornate plaster grillwork in the ceiling accounts for the acoustical effects. And unique in Westlake's experience of 75 historic American theaters, a pair of 28-foot-high grottos flanks the proscenium. Within each is a sculpted mountain scene with a working waterfall -- painted plaster kitsch from one perspective or, perhaps, a knowing nod to the theater's namesake, Vasco Núñez de Balboa, credited as the first European to see the Pacific.
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