"The Dark Knight" and a different kind of evil

GIVEN THE success of "Batman Begins" three years ago, adventurous, eclectic director Christopher Nolan could have gone anywhere and done anything with his next film. So why did he elect to return to the mythical city of Gotham, to the confines of a superhero movie and the narrow world of a caped crusader imprisoned by the secret of who he really is?

That sequel, “The Dark Knight,” answers all those questions with a vengeance. To see it is to understand that Nolan and his co-writer brother Jonathan saw a chance to go deeper into familiar characters and mythology, a chance to meditate on darker-than-usual themes that have implications for the way we live now. A chance to disturb us in the ways these kinds of movies rarely do.

With Christian Bale returning in the title role and Heath Ledger giving a shocking, indelible performance as his arch-nemesis the Joker, "The Dark Knight" may be the most hopeless, despairing comic-book movie in memory. It creates a world where being a superhero is at best a double-edged sword and no triumph is likely to be anything but short-lived.

Because these kinds of movies are only as strong as their villains, a good part of the credit for the potency of "The Dark Knight" has to go to the unusual and unusually creepy and sadistic way the Joker was conceptualized by the Nolans and David S. Goyer (who has a story credit) and played by Ledger in what turned out to be his last completed screen role. The Joker's is a different kind of evil than we're used to, one that is harder for both Batman and the audience to dismiss than what Jack Nicholson did with the part nearly two decades ago.

"The Dark Knight," an allusion to the hugely influential Frank Miller graphic novel "Batman: The Dark Knight Returns," begins in what should be good times for our hero. While Gotham still struggles with lawlessness, his crime-fighting brand is established, he is secure in his secret identity as playboy billionaire Bruce Wayne and he has a loyal support group in butler Alfred Pennyworth (Michael Caine), tech wizard Lucius Fox (Morgan Freeman) and police Lt. Jim Gordon (Gary Oldman). Plus he is hopeful that his example will get the citizens of Gotham to do the right thing.
By Kenneth Turan, Los Angeles Times Movie Critic
July 17, 2008