Pelicans roost on the massive rocks that make up the 2.2-mile-long Long Beach breakwater. Boulders were shipped from Catalina Island to create the World War II barrier that protected the Pacific Fleet. Now there's a proposal to remove some of the breakwater to create bigger waves, cleaner beaches and more surf tourism.A little bit of everything and a lot of nothing: images and stories to take us on an eclectic journey. . . . . . CLICK ON THE HEADING FOR THE "SOURCE" OF THE ARTICLE AND CLICK ON THE LINK BELOW FOR PHOTOGRAPHER. CLICK ON IMAGES FOR A LARGER VERSION.
Wednesday, July 29, 2009
"Breaking up is hard to do"
Pelicans roost on the massive rocks that make up the 2.2-mile-long Long Beach breakwater. Boulders were shipped from Catalina Island to create the World War II barrier that protected the Pacific Fleet. Now there's a proposal to remove some of the breakwater to create bigger waves, cleaner beaches and more surf tourism.Tuesday, July 28, 2009
"a unique masterpiece "
In the early seventeenth century, between the royal residences of Vincennes and Fontainebleau, a small castle stood at the confluence of two small rivers. The domain was called Vaux-le-Vicomte: it was then just a place on the map and its reputation had still to be made. In 1641 a 26 year-old parliamentarian, Nicolas Fouquet, purchased the estate. Fifteen years later the first stone of a unique masterpiece was laid; it was to be the finest château and garden in France. This achievement was brought about through the collaboration of three men of genius whom Fouquet had chosen for the task: the architect Le Vau, the painter-decorator Le Brun and the landscape gardener Le Nôtre. The artistic and cultivated sensibility of their patron was a great stimulus to their talents. They were not alone; the poet La Fontaine, Molière, playwright and actor, Madame de Sévigné, Pellisson and Scarron formed the circle around this great patron of literature and the arts.
Vaux-le-Vicomte was, moreover, the setting for one of the finest "fêtes" or celebrations, of the seventeenth century. It was lavish, refined, and dazzling to behold, but rich in hidden drama. The King had asked to visit, to throw Fouquet off the scent; secretly he had decided that Fouquet would die. Overcome with joy at the chance of parading Vaux-le-Vicomte before the sovereign whose faithful servant he remained, Fouquet assumed that he would take over the post of prime minister vacated by Cardinal Mazarin. Two weeks later Fouquet was arrested. He was never to leave prison alive. It may have been under threat of abandon or destruction, but Vaux-le-Vicomte has survived, thanks to the unfailing determination of three centuries of dedicated individuals. Resplendent today as it was in former times, Vaux-le Vicomte stands as a symbol of the intelligence, taste and independence of its creator, Nicolas Fouquet.New ships are on horizon

Despite a slow period for cruise lines, three new ships -- including two megaships that will hold more than 3,500 passengers each -- are setting sail from European shipyards this summer. The lineup includes the 3,646-passenger Carnival Dream, above, Carnival Cruise Lines' largest ship; Celebrity Cruises' newest vessel, the Celebrity Equinox; and the 4,000-passenger MSC Splendida. Carnival Dream will debut at Monfalcone, Italy, on Sept. 21, with an inaugural schedule that includes visits to European and Caribbean ports. Although Dream is the largest ship for Carnival, several other lines have larger ships, including Royal Caribbean's Freedom and Voyager series. But Dream has some interesting features, including a large water park and whirlpools that extend over the ship's beam.

Monday, July 27, 2009
"Unassisted Suicide"
Here's an item you shouldn't include in your ever-growing arsenal of electronic devices, including cellphones, iPods, PDAs, GPS trackers and laptops: the e-cigarette.The Food and Drug Administration on Wednesday released an analysis of 19 varieties of electronic cigarettes that said half contained nitrosamines (the same carcinogen found in real cigarettes) and many contained diethylene glycol, the poisonous ingredient in antifreeze. Some that claimed to have no nicotine were found to have low levels of the drug.
E-cigarettes are promoted by their manufacturers as safer than traditional cigarettes because they do not burn tobacco. Instead, a lithium battery in the cigarette-shaped device heats a solution of nicotine in propylene glycol, producing a fine mist that can be inhaled to deliver nicotine directly to the lungs. An LED glows red at the tip and they even emit puffs of white smoke similar to that seen in stage shows. The devices are available in more than 4,000 retail outlets nationwide, as well as on many websites, with a starting cost of $40 to $70. Over the last year, sales have grown from about $10 million to $100 million, according to the Electronic Cigarette Assn., the industry's trade group. They also come in a variety of flavors, including chocolate, mint and apple, which make them appealing to children and adolescents which I suppose would include all smokers.
Sunday, July 26, 2009
"Flight of fancy"
"The Lost World"
The 1929 Santa Monica Pier
Saturday, July 25, 2009
Huge telescope opens in Canary Islands
"Tragedy in Iran"
Reporting from Beirut -- A Russian-made airliner skidded off the runway and caught fire Friday as it made a hard landing at an airport in eastern Iran, leaving at least 16 people dead and 21 injured, Iranian state television and official news agencies reported.It was the nation's second deadly plane accident in as many weeks.
"Multipurpose"
The toucan's enlarged bill may not just be for attracting mates or handling food, as biologists have speculated. It also may be able to exchange heat with its environment, enabling the bird to adjust its body temperature as its surroundings change.With the largest beak relative to body size of all birds, the toucan has long fascinated researchers, including Charles Darwin, who speculated that the beak's size was used to display colors to the opposite sex, giving bigger-billed birds a reproductive edge.
Accounting for 30% to 50% of the body's surface area and about one-third of its length, the colorful bill has many blood vessels and is not insulated. These factors, contend the authors of a new study, make the beak well-suited to regulate body temperature.
In the study, published in Friday's issue of the journal Science, researchers placed four adult and two juvenile toucans at separate times in a chamber, changing the air temperature in increments from 50 to 95 degrees Fahrenheit. Infrared thermal imaging technology was used to determine surface temperature of the birds' bills.
"Final Performance"
Thursday, July 23, 2009
We can never get enough of "Blazing Saddles"
Tuesday, July 21, 2009
"One Night Only"
The Santa Monica Pier officially turns 100 years old on Sept. 9, and the run-up to the centenary finds the beachside quarter in the middle of a major revamp, with Santa Monica Place being rebuilt and new pools and restaurants popping up. Just in time to cool off the hottest days of the summer season.For one night, the big band era and a grand 100-foot-wide wooden dance floor reappear on the Santa Monica pier. The La Monica Ballroom, which hosted revelers for decades, will celebrate its reincarnation from 7 to 10 p.m. Thursday as part of the popular Twilight Dance Series. The swingin' Squirrel Nut Zippers are the featured band, so, of course, boas and fedoras are appreciated. Patti Smith closes out the popular free concert series Sept. 3. Photo above was taken in the 1920's. (www.santamonicapier.org/twilight.html)
Monday, July 20, 2009
"the blinding speed of a legend"
On May 7, 1966, shortly after his release from baseball, The Sporting News carried a blurred, seven-year-old photograph of one Stephen Louis Dalkowski, along with a brief story that was headlined: LIVING LEGEND RELEASED. It began, " Steve Dalkowski, a baseball legend in his own time, apparently has thrown his last professional pitch." The description was not hyperbolic. Despite the fact that he never pitched an inning in the major leagues, few people in organized baseball at that time had not heard of Steve Dalkowski.The legend began 10 years before, on a hot spring day in Miami, Fla., when Dalkowski was pitching batting practice for the Baltimore Orioles before an exhibition game with the Red Sox. According to several guys who were there, Ted Williams was watching curiously from behind the batting cage. After a few minutes Williams picked up a bat and stepped into the cage. Reporters and players moved quickly closer to see this classic confrontation. Williams took three level, disciplined practice swings, cocked his bat, and motioned with his head for Dalkowski to deliver the ball. Dalkowski went into his spare pump, his right leg rising a few inches off the ground, his left arm pulling back and then flicking out from the side of his body like an attacking cobra. The ball did not rip through the air like most fastballs, but seemed to appear suddenly and silently in the catcher's glove.
The catcher held the ball for a few seconds a few inches under Williams' chin. Williams looked back at it, then at Dalkowski, squinting at him from the mound, and then he dropped his bat and stepped out of the cage. The writers immediately asked Williams how fast Steve Dalkowski really was. Williams, whose eyes were said to be so sharp that he could count the stitches on a baseball as it rotated toward the plate, told them he had not seen the pitch, that Steve Dalkowski was the fastest pitcher he ever faced and that he would be damned if he would ever face him again if he could help it.
Ted Williams was not the only baseball authority awed by Dalkowski's speed. Paul Richards, Harry Brecheen, Earl Weaver and just about anyone who had ever seen him throw claimed he was faster than Johnson or Feller or any of the fabled oldtimers. The Orioles, who owned Dalkowski from 1957 to 1965, once sent him to the Aberdeen Proving Grounds, where they used Army equipment to test the speed of his fastball. The machine clocked it at 93.5 mph, about 5 mph slower than Bob Feller's, which was clocked on similar equipment. But Feller had thrown his fastball from a high mound, which added 5 to 8 mph to its speed, and Dalkowski had thrown his from level ground. Also, Dalkowski had pitched a game the day before, which it was estimated knocked off another 5 to 10 mph. Finally, Dalkowski was literally exhausted by the time the machine clocked his pitch because he had thrown for 40 minutes beforehand, just trying to get a fastball within range of the device. All things considered, it was assumed conservatively that Dalkowski, when right, could throw a baseball at well over 105 mph.
His problem at Aberdeen was typical. His wildness was chronic and incurable. In nine years of minor league pitching he walked 1,354 batters in 995 innings. He struck out 1,396. In his last year of high school Dalkowski pitched a no-hitter in which he walked 18 batters and fanned the same number. In 1957 at Kingsport he led the Appalachian League with 129 walks, 39 wild pitches and 121 strikeouts in 62 innings. He once walked 21 batters in a Northern League game and in another he struck out 21 batters to tie a league record. In 1960 Dalkowski set a California League record with 262 walks in 170 innings. He fanned the same number. In 1961 he set a Northwest League record with 196 walks in 103 innings while striking out 150 batters.
Stories of Dalkowski's speed and wildness passed from one minor league town to another. Inevitably, the stories outgrew the man, until it was no longer possible to distinguish fact from fiction. But, no matter how embellished, one fact always remained: Dalkowski struck out more batters and walked more batters per nine-inning game than any professional pitcher in baseball history.
It was because of his blinding speed that the Baltimore Orioles bore with him through eight years of frustration. Each year the Oriole management would try something new to discipline his talent. They made him throw fastballs at a wooden target. They made him throw on the sidelines until he was exhausted, under the assumption that once his lively arm was tired and his speed muted he could throw strikes. They bought him thick, Captain Video-type eyeglasses to correct his faulty 20-80/20-60 vision. They made him pitch batting practice every day for two straight weeks in the hope that facing a batter would help guide his pitches. And finally they made him throw from only 15 feet away from his catcher with the belief that once he threw strikes from that distance the distance could be increased gradually to 60 feet six inches, from where he would also throw strikes.
Nothing doing. After 20 minutes throwing at a wooden target the target was in splinters. No matter how long he threw on the sidelines his arm never got tired. No matter how thick his glasses were all they helped to do was further terrify already terrified batters. In the end all the experiments failed, chiefly because if ever a man was truly possessed by his talent it was Steve Dalkowski.
Saturday, July 18, 2009
Beauty amid turmoil
Just past the town of Khaplu, Pakistan, the sky opens up on the road to the mountains. “Foreigners think Pakistan is nothing but Taliban and suicide bombs,” said Sharafat Hussain, who sells climbing equipment in the town of Skardu. “We’re a world away from those problems.” (Carolyn Cole / Los Angeles Times)
"Singer's statue is rededicated"
A Baltimore statue of Billie Holiday now bears images evoking the anti-racism message of a song recorded by the jazz icon in the 1930s, just as the sculptor intended.Two panels at the statue's base -- one of a lynched man and another of a newborn baby -- were part of the design, but weren't included when the piece was erected in 1985 in a West Baltimore neighborhood.
At a rededication ceremony Friday on the 50th anniversary of Holiday's death, Baltimore Mayor Sheila Dixon said people should view the statue and the panels as a depiction of "raw" history.
Holiday, who lived in Baltimore as a child, recorded "Strange Fruit," a jazz ballad condemning the lynchings of blacks. It was considered one of the first anti-racism songs in American popular music.
-- associated press
"uncertain future"
The Watts Towers may be a unique and symbolically rich work of folk art, but it is also a world-class money trap, vulnerable to earthquakes and the elements, and constantly in need of repair. There's been long-simmering discontent among some of the most intense admirers of Simon Rodia's 100-foot-tall structure who say the city doesn't spend nearly enough on its upkeep and criticize the quality of conservation work carried out by L.A.'s Department of Cultural Affairs.
"making audiences laugh at their own prejudices"
Over the last 15 years, Omid Djalili, a British-born Iranian comedian and actor, who wryly refers to himself as "a Middle Eastern person," has become gradually famous by breaking down cultural differences and ethnic barriers.His appealing stand-up routines hinge on making audiences laugh at their own prejudices, exploring British attitudes to "otherness" and observing that what various ethnic and religious groups have in common is as important as what divides them. Djalili, shown above, is taking a leap to play Fagin in the musical "Oliver!"
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